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Indian Country: Love It or Leave It Harley Hettick's photography offers an honest and objective view of contemporary American Indian life. DATES: January 01 - January 31, 1976 |
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Larry Brown and George Green Non-objective paintings focusing on formal aspects of shape, color, texture, and volume encourage the audience to invent meanings. DATES: February 04 - February 29, 1976 |
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E.S. Paxson Paxson's vivid narrative canvases and portraits symbolize the legendary American West. DATES: March 04 - May 03, 1976 |
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Juried Craft Show Open to artists nationwide to submit two works completed in the last two years in painting, drawing, or printmaking. DATES: May 08 - May 29, 1976 |
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American Revolution: Bicentennial Prints Two special collections include World War I propaganda posters and diozalid prints. DATES: June 07 - June 28, 1976 |
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Art In Landscape Comprehensive survey of earthworks documentation questions the significance of art that cannot be bought and sold or even directly viewed. DATES: July 01 - July 27, 1976 |
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Classical Narratives in Master Drawings Examines the Pagan narratives of antiquity, which surfaced as major themes in 14th century proto-Renaissance drawing. Ideas concerning self-examination and knowledge support the individualism and artistic growth of the era. Organized by E.B. Crocker Art Gallery, Sacramento, CA. DATES: August 03 - August 20, 1976 |
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Recent works by Rudy and Lela Autio A colorful and playful pairing of Rudy Autio's formal and functional ceramic vessels and Lela Autio's wall relief fabric works. DATES: August 31 - September 30, 1976 |
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Andrew Hofmeister Fifty paintings by this Rosebud County native suggest the beauty and strength of the Northwest. Simple, natural colors express Hofmeister's personal harmony with the land. A human character appears in nearly every image, reminding the viewer of man's impact on the environment. DATES: October 05 - October 23, 1976 |
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Japanese Prints and Helen Seigl Prints Japanese prints related to kabuki, staged dramas dealing with humanity, loyalty, and love in history, legend and contemporary life, are paired with Seigl's work, which combines linoleum plaster block prints and a unique relief printing technique. DATES: October 26 - November 09, 1976 |
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The New American Quilt Placing form over function and incorporating novel techniques and imagery, thirty-eight contemporary examples of a traditional American craft liberate the quilt from a purely utilitarian role. DATES: November 16 - December 15, 1976 |
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